Preview

Urban Folklore and Anthropology

Advanced search

The period that never ended: Street art, graffiti and public art

EDN: AKFQSS

Abstract

Introductory article.

About the Author

Nikita V. Petrov
Russian Presidential Academy of National Economy and Public Administration; Russian State University for the Humanities
Russian Federation


References

1. Berezin, M. (1997). Politics and culture: A less fissured terrain. Annual Review of Sociology, 23, 361–383.

2.

3. Debord, G. (2024). The society of the spectacle. Moscow: AST Publishing House. (In Russian).

4. Ingold, T. (2007). Lines: A brief history. London; New York: Routledge.

5.

6. Kuzovenkova, Yu. A. (2024). The discursive development of “street wave” art in Russia. Yaroslavl Pedagogical Bulletin, 3(138), 192–200. https://doi.org/10.20323/1813-145X-2024-3-138-192 https://elibrary.ru/QPYGNT (In Russian).

7.

8. Merrifield, A. (2011). Magical Marxism: Subversive Politics and the Imagination. London: Pluto Press.

9.

10. Olick, J. K. (1999). Collective memory: The two cultures. Sociological Theory, 17(3), 333–348. https://doi.org/10.1111/0735-2751.00083

11.

12. Schacter, R. (2016). Street art is a period. Period. Or, classificatory confusion and intermural art. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art, 103–118. London; New York: Routledge. https://doi.org/10.4324/9781315761664

13.

14. Schacter, R. (2024). Monumental graffiti: Tracing public art and resistance in the city. Cambridge, MA: MIT Press.

15.

16. Young, A. (2013). Street art, public city: Law, crime and the urban imagination. London; New York: Routledge. https://doi.org/10.4324/9780203796917

17.

18.

19.


Review

For citations:


Petrov N.V. The period that never ended: Street art, graffiti and public art. Urban Folklore and Anthropology. 2026;8(1):9-20. (In Russ.) EDN: AKFQSS

Views: 189

JATS XML


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2658-3895 (Print)
ISSN 2782-1757 (Online)